This study was an endeavor to examine the working of the Deleuzean concept of rhizomatic to analyze Samuel Beckett's Trilogy. By considering the self as a rhizomatic story, the author engendered a story structure that not only offered an utilizable view on how individuals narratively construct their selfhood but additionally stimulated an experiment with alternative, nontraditional presentation forms. Events are themselves differences in that, like the present which reiterates itself but is always a different present, the events which occur in our world are always different from one another. They are the things which transpire in the world, the things which have transpired and which are transpiring now, and it is this series of happenings which define who we are. Deleuze further considered that, like an animal habituating to a given environment, events transpire around quandaries and it is the quandaries which define the shape of a given society. The present study addressed how the conception of the rhizomatic conditions the constructed identities in Molloy, Malone Dies and The Unnamable as rhizomatic texts which itself challenged the very conception of the meaning.
